
The Story
Complete Edition Critical Report
Béla Bartók's six string quartets, written between 1908 and 1940, are among the milestones of this genre in the 20th century. With the edition of these works in the Bartók Complete Edition, the great Bartók scholar László Somfai presents, together with Zsombor Németh, the results of a lifelong preoccupation with the quartets. In addition to the composer's autographs, manuscripts, first editions and hand copies, his correspondence with friends, publishers and professional musicians is meticulously examined in regard to important information on the edition and understanding of the works. The numerous footnotes to the musical text, edited here for the first time in a scholarly manner, provide interesting information on performance or transmission variants of the works. In addition to the introduction, which deals with the genesis, tradition, early performances and reception of the works, the extensive chapter Notation and Performance provides well-founded information on all practical questions of performance, ranging from tempo variations to the special Bartók pizzicato.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
Complete Edition Critical Report
Béla Bartók's six string quartets, written between 1908 and 1940, are among the milestones of this genre in the 20th century. With the edition of these works in the Bartók Complete Edition, the great Bartók scholar László Somfai presents, together with Zsombor Németh, the results of a lifelong preoccupation with the quartets. In addition to the composer's autographs, manuscripts, first editions and hand copies, his correspondence with friends, publishers and professional musicians is meticulously examined in regard to important information on the edition and understanding of the works. The numerous footnotes to the musical text, edited here for the first time in a scholarly manner, provide interesting information on performance or transmission variants of the works. In addition to the introduction, which deals with the genesis, tradition, early performances and reception of the works, the extensive chapter Notation and Performance provides well-founded information on all practical questions of performance, ranging from tempo variations to the special Bartók pizzicato.











