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Beethoven: Overture No. 1 for the opera "Leonore" (1807) (Study Score)
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Beethoven: Overture No. 1 for the opera "Leonore" (1807) (Study Score)

Beethoven: Overture No. 1 for the opera "Leonore" (1807) (Study Score)

$6.98

Original: $19.95

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Beethoven: Overture No. 1 for the opera "Leonore" (1807) (Study Score)β€”

$19.95

$6.98

The Story

Beethoven wrote a total of four overtures for his only opera, "Leonore"/ "Fidelio". The so-called Leonore Overture no. 1 is third in the series by chronology, having been written in 1806/07 for a performance in Prague that never materialised. For a long while it was erroneously regarded as a predecessor to the Leonore Overture no. 2 that Beethoven discarded, which greatly tarnished its reception. And yet it pays off to take an impartial look at this overture, which is substantially shorter than nos. 2 and 3, since with its more lyrical than dramatic character, it casts a new light on Beethoven's struggle to find the ideal opening to his stage work. Featuring a new preface, it now appears as a study edition prepared on the basis of the musical text of the Beethoven Complete Edition.

Beethoven: Overture No. 1 for the opera "Leonore" (1807) (Study Score) - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Beethoven: Overture No. 1 for the opera "Leonore" (1807) (Study Score) - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

Beethoven wrote a total of four overtures for his only opera, "Leonore"/ "Fidelio". The so-called Leonore Overture no. 1 is third in the series by chronology, having been written in 1806/07 for a performance in Prague that never materialised. For a long while it was erroneously regarded as a predecessor to the Leonore Overture no. 2 that Beethoven discarded, which greatly tarnished its reception. And yet it pays off to take an impartial look at this overture, which is substantially shorter than nos. 2 and 3, since with its more lyrical than dramatic character, it casts a new light on Beethoven's struggle to find the ideal opening to his stage work. Featuring a new preface, it now appears as a study edition prepared on the basis of the musical text of the Beethoven Complete Edition.

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