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Grieg: Sonata in G major, Op. 13 for Piano and Violin
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Grieg: Sonata in G major, Op. 13 for Piano and Violin

Grieg: Sonata in G major, Op. 13 for Piano and Violin

$9.43

Original: $26.95

-65%
Grieg: Sonata in G major, Op. 13 for Piano and Violinβ€”

$26.95

$9.43

The Story

Of Grieg's three violin sonatas, the great C-minor Sonata op. 45 is the best known today. And unjustly so, because the two early sonatas are captivating in their joy to play and their fresh, youthful tone. And what is more, they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg's enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional "jumping dance." Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm was also consulted for this edition, thus offering an optimally ascertained musical text.

Grieg: Sonata in G major, Op. 13 for Piano and Violin - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Grieg: Sonata in G major, Op. 13 for Piano and Violin - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Grieg: Sonata in G major, Op. 13 for Piano and Violin - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Grieg: Sonata in G major, Op. 13 for Piano and Violin - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

Of Grieg's three violin sonatas, the great C-minor Sonata op. 45 is the best known today. And unjustly so, because the two early sonatas are captivating in their joy to play and their fresh, youthful tone. And what is more, they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg's enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional "jumping dance." Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm was also consulted for this edition, thus offering an optimally ascertained musical text.