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$5.23The Story
Bu-Kiap (2006) (3’)
Instrumentation: flute, oboe and bassoon
Edition: score and parts
Editor: Meng-Chia Lin
First Publication
Item no.: fue 10152
Difficulty: medium
ISMN: 979-0-50182-152-5
"Bu-Kiap means Kungfu in taiwanese. It is written for flute, oboe and bassoon. The trio represents an abstract Kungfu scene with three masters. I was inspired by the film ‟Crouching Tiger, Hidden Dragon”. What impressed me in the Kungfu scene was that not the Kungfu itself, but the art of Kungfu. Performers are supposed to express the lightness and playfulness of the piece." Meng-Chia Lin
Instrumentation: flute, oboe and bassoon
Edition: score and parts
Editor: Meng-Chia Lin
First Publication
Item no.: fue 10152
Difficulty: medium
ISMN: 979-0-50182-152-5
"Bu-Kiap means Kungfu in taiwanese. It is written for flute, oboe and bassoon. The trio represents an abstract Kungfu scene with three masters. I was inspired by the film ‟Crouching Tiger, Hidden Dragon”. What impressed me in the Kungfu scene was that not the Kungfu itself, but the art of Kungfu. Performers are supposed to express the lightness and playfulness of the piece." Meng-Chia Lin
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Description
Bu-Kiap (2006) (3’)
Instrumentation: flute, oboe and bassoon
Edition: score and parts
Editor: Meng-Chia Lin
First Publication
Item no.: fue 10152
Difficulty: medium
ISMN: 979-0-50182-152-5
"Bu-Kiap means Kungfu in taiwanese. It is written for flute, oboe and bassoon. The trio represents an abstract Kungfu scene with three masters. I was inspired by the film ‟Crouching Tiger, Hidden Dragon”. What impressed me in the Kungfu scene was that not the Kungfu itself, but the art of Kungfu. Performers are supposed to express the lightness and playfulness of the piece." Meng-Chia Lin
Instrumentation: flute, oboe and bassoon
Edition: score and parts
Editor: Meng-Chia Lin
First Publication
Item no.: fue 10152
Difficulty: medium
ISMN: 979-0-50182-152-5
"Bu-Kiap means Kungfu in taiwanese. It is written for flute, oboe and bassoon. The trio represents an abstract Kungfu scene with three masters. I was inspired by the film ‟Crouching Tiger, Hidden Dragon”. What impressed me in the Kungfu scene was that not the Kungfu itself, but the art of Kungfu. Performers are supposed to express the lightness and playfulness of the piece." Meng-Chia Lin
