🎉 Up to 70% Off Selected ItemsShop Sale
Protocol: A Guide To The Collegiate Audition Process for Violin
HomeStore

Protocol: A Guide To The Collegiate Audition Process for Violin

Protocol: A Guide To The Collegiate Audition Process for Violin

$8.05

Original: $22.99

-65%
Protocol: A Guide To The Collegiate Audition Process for Violin—

$22.99

$8.05

The Story

Providing useful reference and audition material for college-bound string players, the Protocol series was created by college/university music educators and include the most frequently requested audition requirements from many universities. Not only does it help build a player’s repertoire, but it also exposes students to the expectations of the audition process, creating a comfort level that allows for the best audition possible. Students will go into their auditions completely prepared with help from this series.

Contents:

  • Foreword by Doris Gazda
  • Preface
  • About Doris Gazda
  • About Larry Clark and Daniel Schmidt
  • How to Use This Book
  • How To Take and Audition
  • Ear-Training and Music Theory Placement Exams
  • Considerations for Choosing an Institution
  • Repertoire Included on Most Lists of Required Audition Material
  • Major Scales and Arpeggios
  • Chromatic Scales
  • Minor Scales and Arpeggios
  • Symphony No. 39 in Eb Major, K. 543 ( Movements 3 and 4) — Wolfgang Amadeus Mozart
  • Ballet Music from Rosamunde — Franz Schubert
  • Overture from the Opera Ruslan and Lyudmila — Mikhail Glinka
  • The Swan of Tuonela, Op. 22, No. 3 — Jean Sibelius
  • Etude No. 1 (Largos sostenuto) from 36 Etudes — Federigo Fiorillo
  • Etude No. 6 from 43 Ă©tudes ou caprices (Moderato) — Rodolphe Kreutzer
  • Sonata No. 3 from 15 Sonate de camera (Movements 1 and 2) — George Frideric Handel
  • Concerto No. 3 in G Major, K. 216 — Wolfgang Amadeus Mozart

Description

Providing useful reference and audition material for college-bound string players, the Protocol series was created by college/university music educators and include the most frequently requested audition requirements from many universities. Not only does it help build a player’s repertoire, but it also exposes students to the expectations of the audition process, creating a comfort level that allows for the best audition possible. Students will go into their auditions completely prepared with help from this series.

Contents:

  • Foreword by Doris Gazda
  • Preface
  • About Doris Gazda
  • About Larry Clark and Daniel Schmidt
  • How to Use This Book
  • How To Take and Audition
  • Ear-Training and Music Theory Placement Exams
  • Considerations for Choosing an Institution
  • Repertoire Included on Most Lists of Required Audition Material
  • Major Scales and Arpeggios
  • Chromatic Scales
  • Minor Scales and Arpeggios
  • Symphony No. 39 in Eb Major, K. 543 ( Movements 3 and 4) — Wolfgang Amadeus Mozart
  • Ballet Music from Rosamunde — Franz Schubert
  • Overture from the Opera Ruslan and Lyudmila — Mikhail Glinka
  • The Swan of Tuonela, Op. 22, No. 3 — Jean Sibelius
  • Etude No. 1 (Largos sostenuto) from 36 Etudes — Federigo Fiorillo
  • Etude No. 6 from 43 Ă©tudes ou caprices (Moderato) — Rodolphe Kreutzer
  • Sonata No. 3 from 15 Sonate de camera (Movements 1 and 2) — George Frideric Handel
  • Concerto No. 3 in G Major, K. 216 — Wolfgang Amadeus Mozart