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Protocol: A Guide to the Collegiate Audition Process - for Double Bass
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Protocol: A Guide to the Collegiate Audition Process - for Double Bass

Protocol: A Guide to the Collegiate Audition Process - for Double Bass

$8.05

Original: $22.99

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Protocol: A Guide to the Collegiate Audition Process - for Double Bass—

$22.99

$8.05

The Story

Compiled and edited by Larry Clark and Daniel Schmidt

Providing useful reference and audition material for college-bound string players, the Protocol series was created by college/university music educators and include the most frequently requested audition requirements from many universities. Not only does it help build a player’s repertoire, but it also exposes students to the expectations of the audition process, creating a comfort level that allows for the best audition possible. Students will go into their auditions completely prepared with help from this series.

Contents:

  • Foreword by Joel DiBartolo
  • Preface
  • About Joel DiBartolo
  • About Larry Clark and Daniel Schmidt
  • How to Use This Book
  • How to Take an Audition
  • Ear-Training and Music-Theory Placement Exams
  • Considerations for Choosing an Institution
  • Repertoire Included on Most Lists of Required Audition Material
  • Major Scales and Arpeggios
  • Chromatic Scale
  • Minor Scales and Arpeggios
  • Badinerie from Orchestral Suite No. 2 in B minor, BWV 1067 — Johann Sebastian Bach
  • Symphony No. 40 in G minor, K. 550 (movement I) — Wolfgang Amadeus Mozart
  • Symphony No. 5, Op. 67 ( movement III) — Ludwig van Beethoven
  • Symphonie fantastique, Op. 14 (movement IV) — Hector Berlioz
  • Symphony No. 1 in D minor ("Titan") (movement III) — Gustav Mahler
  • Etude No. 17 (Tempo di Polacca) from 30 Etudes — Franz Simandl
  • Etude No. 24 ( Maestoso) from 86 Etudes, Book I — Josef Hrabe
  • Sonata No. 1 in Bb Major for Cello (transcribed for Double Bass) — Antonio Vivaldi
  • Concerto in G Major (movement I) — Domenico Dragonetti

Description

Compiled and edited by Larry Clark and Daniel Schmidt

Providing useful reference and audition material for college-bound string players, the Protocol series was created by college/university music educators and include the most frequently requested audition requirements from many universities. Not only does it help build a player’s repertoire, but it also exposes students to the expectations of the audition process, creating a comfort level that allows for the best audition possible. Students will go into their auditions completely prepared with help from this series.

Contents:

  • Foreword by Joel DiBartolo
  • Preface
  • About Joel DiBartolo
  • About Larry Clark and Daniel Schmidt
  • How to Use This Book
  • How to Take an Audition
  • Ear-Training and Music-Theory Placement Exams
  • Considerations for Choosing an Institution
  • Repertoire Included on Most Lists of Required Audition Material
  • Major Scales and Arpeggios
  • Chromatic Scale
  • Minor Scales and Arpeggios
  • Badinerie from Orchestral Suite No. 2 in B minor, BWV 1067 — Johann Sebastian Bach
  • Symphony No. 40 in G minor, K. 550 (movement I) — Wolfgang Amadeus Mozart
  • Symphony No. 5, Op. 67 ( movement III) — Ludwig van Beethoven
  • Symphonie fantastique, Op. 14 (movement IV) — Hector Berlioz
  • Symphony No. 1 in D minor ("Titan") (movement III) — Gustav Mahler
  • Etude No. 17 (Tempo di Polacca) from 30 Etudes — Franz Simandl
  • Etude No. 24 ( Maestoso) from 86 Etudes, Book I — Josef Hrabe
  • Sonata No. 1 in Bb Major for Cello (transcribed for Double Bass) — Antonio Vivaldi
  • Concerto in G Major (movement I) — Domenico Dragonetti