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Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103
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Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103

Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103

$45.95
Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103
$45.95

The Story

This was the last concerto that Saint-Saëns wrote for his own instrument, the piano. Its subtitle has a dual meaning. Firstly, it was composed quickly in Luxor and Cairo in early 1896; and secondly, the composer incorporated elements of Egyptian and oriental music within it. He even wrote later that "The second movement is a kind of journey to the Orient, which in the episode in F-sharp even reaches the Far East. The passage in G is a Nubian love song that I heard sung by boatmen on the Nile". (Französisches Original: «La seconde partie est une façon de voyage en Orient qui va même, dans l'épisode en fa dièse, jusqu'en Extrême-Orient. Le passage en sol est un chant d'amour nubien que j'ai entendu chanter par les bateliers sur le Nil.»)

Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103 - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103 - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103 - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103 - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Saint-Saëns: Piano Concerto No. 5 in F major, Op. 103 - Image 6

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

This was the last concerto that Saint-Saëns wrote for his own instrument, the piano. Its subtitle has a dual meaning. Firstly, it was composed quickly in Luxor and Cairo in early 1896; and secondly, the composer incorporated elements of Egyptian and oriental music within it. He even wrote later that "The second movement is a kind of journey to the Orient, which in the episode in F-sharp even reaches the Far East. The passage in G is a Nubian love song that I heard sung by boatmen on the Nile". (Französisches Original: «La seconde partie est une façon de voyage en Orient qui va même, dans l'épisode en fa dièse, jusqu'en Extrême-Orient. Le passage en sol est un chant d'amour nubien que j'ai entendu chanter par les bateliers sur le Nil.»)