
The Story
The idea of creating a second flute part has its foundation in the teachings of the great French flutist Marcel Moyse (a pivotal mentor to Professor Wincenc). In lessons, Moyse would accompany the student on his own instrument, and often vocally improvise melodies and/or lyrics. In adding his second line, Moyse was able to underscore the harmonic, melodic, rhythmic structure and shape of the lines in a way which went far beyond any possible verbal explanation. It intuitivey teaches rhythmic stability, phrasing, intonation, and quality of sound by playing with the master. This collection is an indispensible resource for any flutist learning or teaching the core repertoire.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
The idea of creating a second flute part has its foundation in the teachings of the great French flutist Marcel Moyse (a pivotal mentor to Professor Wincenc). In lessons, Moyse would accompany the student on his own instrument, and often vocally improvise melodies and/or lyrics. In adding his second line, Moyse was able to underscore the harmonic, melodic, rhythmic structure and shape of the lines in a way which went far beyond any possible verbal explanation. It intuitivey teaches rhythmic stability, phrasing, intonation, and quality of sound by playing with the master. This collection is an indispensible resource for any flutist learning or teaching the core repertoire.




















