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Vieuxtemps Romance on a Theme from S. Moniuszko's Opera 'Halka' Prepared for Viola and Piano
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Vieuxtemps Romance on a Theme from S. Moniuszko's Opera 'Halka' Prepared for Viola and Piano

Vieuxtemps Romance on a Theme from S. Moniuszko's Opera 'Halka' Prepared for Viola and Piano

$5.60

Original: $15.99

-65%
Vieuxtemps Romance on a Theme from S. Moniuszko's Opera 'Halka' Prepared for Viola and Pianoโ€”

$15.99

$5.60

The Story

Editor: Boguslawa Hubisz-Sielska

Henri Vieuxtemps was a remarkably productive composer who wrote seven violin concertos, concert etudes, two viola sonatas and a dozen or so chamber works, yet the bulk of his output consists of works for violin and piano. Vieuxtemps's favorite musical form was the then-fashionable fantasy on themes from well-known operas, of which he left us quite a number. The Romance originally composed for violin and piano is based on a theme from Stanislaw Moniuszko's national opera Halka (Jontek's famous aria 'Szumia jodly na gรณr szcycie' [The firs sough on the mountain top.]). The present edition is based on Zdzislaw Jahnke's 1952 edition. This work gives the player the opportunity to display a beautiful tone and proficiency in both the left and right hand; it is also a marvelous exercise in rubato playing.

Description

Editor: Boguslawa Hubisz-Sielska

Henri Vieuxtemps was a remarkably productive composer who wrote seven violin concertos, concert etudes, two viola sonatas and a dozen or so chamber works, yet the bulk of his output consists of works for violin and piano. Vieuxtemps's favorite musical form was the then-fashionable fantasy on themes from well-known operas, of which he left us quite a number. The Romance originally composed for violin and piano is based on a theme from Stanislaw Moniuszko's national opera Halka (Jontek's famous aria 'Szumia jodly na gรณr szcycie' [The firs sough on the mountain top.]). The present edition is based on Zdzislaw Jahnke's 1952 edition. This work gives the player the opportunity to display a beautiful tone and proficiency in both the left and right hand; it is also a marvelous exercise in rubato playing.